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Stefano della Bella, artist
Italian, 1610 - 1664
The Temple of Antonius and the Campo Vaccino, from the series Six Large Views of Rome and the Countryside, 1656
Etching
30.5 x 28.1 cm (image)
Achenbach Foundation for Graphic Arts 1963.30.3613
Artist Credit: all
Artist Biography: Painter, Etcher, Engraver. An important printmaker as well as a consummate draftsman. Possessed a skilled and playful hand. Lived at a time when graphic art had a large international audience. An exact contemporary of Giovanni-Benedetto Castiglione and Rembrandt van Rijn. Was most strongly influenced by the French artist Jacques Callot.~~Son of the sculptor Francesco della Bella, who wished for him to carry on the profession. However, Stefano's early designs were so extraordinary that Francesco sent him to study painting with Cesare Dandini. However, Stefano wanted to be an engraver, and with his father's blessing he entered the atelier of Remigio Cantagallina, the teacher of Callot. A protÈgÈ of the Medici, he worked for them before going to Rome ca. 1638. Worked in Paris for many French publishers, returning to Florence in 1650, at which time the Grand Duke of Tuscany named him the design teacher for his son Cosme. Stefano is buried in the church at San Ambrogio. ~~Reference: De Vesme, Alexandre: Le Peintre-graveur italien. ( Milan, 1906), pp. 66-332, reprinted in De Vesme, Alexandre, with intro. and additions by Phyllis Dearborn Massar. Stefano Della Bella. New York: 1971, Collectors Editions Ltd. 2 vols.~De Vesme, Alexandre, intro. and additions by Phyllis Dearborn Massar: Stefano Della Bella ([New York: Collectors Editions Ltd., 1971]), 2 vols. ~ Marcus Sopher, Seventeenth-Century Italian Prints, Stanford: 1978.~~
Related Keywords
Countryside Rome Views Large Six series from Vaccino Campo and Antonius of Temple The Arts Graphic Achenbach Europe Italy Print Animal Genre Etching forum Roman horses sheep Cows Stefano della Bella della Bella Italian 5050161207580004 A002403 1963.30.3613 AFGA
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